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This historic Palm Beach house doubled as a wedding venue for the homeowners

The exterior of the 1930s home designed by Celerie Kemble of [Kemble Interiors](https://www.kembleinteriors.com/): target=
The exterior of the 1930s home designed by Celerie Kemble of [Kemble Interiors](https://www.kembleinteriors.com/){: target="_blank"} and AD PRO Directory architect Elizabeth Graziolo of [Yellow House Architects](https://www.yellowhousearchitects.com/){: target="_blank"}. The façade is decorated with “lacy” ironwork Kemble and Graziolo adore. The house was originally designed by Palm Beach architect Marion Sims Wyeth. Nathan Browning from [Island Planning](https://islandplanningcorporation.com/){: target="_blank"} was the landscape designer and the project's construction is by [Cove](https://www.covefl.com/){: target="_blank"}.

Designer Celerie Kemble and architect Elizabeth Graziolo teamed up to bring the client’s vision of a home for family gatherings to life

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The wealthy enclave of Palm Beach has become synonymous with opulence, but down a quiet road in the Florida town one historic house suggests a freer, less formal vision of life. In fact, that was the only brief for Celerie Kemble and Elizabeth Graziolo of Yellow House Architects, who were hired by a young couple they worked for once before: heavy on the ease and comfort, light on the formality and excess. “They are so openhearted, open-housed, open-minded,” says Kemble about the homeowners. “They are smart, and they aren’t caught up in the pretense.”

In the foyer, a high-gloss lacquered ceiling keeps the grand room fresh, while the checked composite floor underfoot beckons into the rest of the house. Antique side chairs and a console table, heirlooms from the wife’s father, decorate the alcove underneath the home’s original stairs.
In the foyer, a high-gloss lacquered ceiling keeps the grand room fresh, while the checked composite floor underfoot beckons into the rest of the house. Antique side chairs and a console table, heirlooms from the wife’s father, decorate the alcove underneath the home’s original stairs.

That first project was a Manhattan townhouse, bought by their client whose then girlfriend (and later wife) suggested he hire Kemble to decorate the home. Graziolo was soon brought on as well to refine the building’s interior architecture. The project was one of Graziolo’s first after leaving Peter Pennoyer Architects to establish her own New York–based firm. The homeowner’s mother had worked with Kemble’s own mother on a prior project—a realization that came out when work was underway.

In the living room, giving the appearance of plaster, latticework executed by Fuller Architectural Products curves up to meet the ceiling. A Helen Frankenthaler painting hangs above the Grafton Furniture sofa, which is upholstered in a light pink Studio Four fabric. On other walls, works by Walton Ford and Ed Clark overlook lacquered parchment coffee tables from Etched Design, twin Nickey Kehoe camel-back sofas in Cowtan & Tout cream fabric, and ebonized and parcel gilt Egyptian Revival chairs from the Regency era. Samuel & Sons tassels lend the chairs a playful edge.
In the living room, giving the appearance of plaster, latticework executed by Fuller Architectural Products curves up to meet the ceiling. A Helen Frankenthaler painting hangs above the Grafton Furniture sofa, which is upholstered in a light pink Studio Four fabric. On other walls, works by Walton Ford and Ed Clark overlook lacquered parchment coffee tables from Etched Design, twin Nickey Kehoe camel-back sofas in Cowtan & Tout cream fabric, and ebonized and parcel gilt Egyptian Revival chairs from the Regency era. Samuel & Sons tassels lend the chairs a playful edge.

This was to be a family home: It was the venue for the homeowners’ wedding and now the dream house of their young son. Friends join family on many occasions at the over 15,000-square-foot house, celebrating birthdays, holidays, and charitable causes in one of the many entertainment areas. The living room and library both lend themselves well to guests. The dining room has flexibility to serve as both an indoor and outdoor space. And of course there is the pool, surrounded by native trees and shrubs and anchored by an octagonal folly-cum-poolhouse at its far end. Nathan Browning of Island Planning did the landscape design, which plays a vital role in maintaining the calm, magical oasis the property’s original owner intended. “Across from the house there is this mangrove island, and behind that is the sunset and the sky,” says Kemble. “The house has a relationship to Florida that is rare.”

The deep-set J. Edlin Interiors window seat in the family room is a beloved reading spot. It is upholstered in a pale seafoam Kravet textile and finished with Samuel & Sons bouillon fringe. The larger sofa in the foreground is from Grafton Furniture and is upholstered in a printed Leah O’Connell fabric. The Cintra ottoman from Woodbridge was painted in a custom green and upholstered in a Lance Wovens fabric. A scintillating Orville Bulman painting hangs above the mantel. The slipper chairs under it are by Nickey Kehoe and upholstered in a Holly Hunt fabric.
The deep-set J. Edlin Interiors window seat in the family room is a beloved reading spot. It is upholstered in a pale seafoam Kravet textile and finished with Samuel & Sons bouillon fringe. The larger sofa in the foreground is from Grafton Furniture and is upholstered in a printed Leah O’Connell fabric. The Cintra ottoman from Woodbridge was painted in a custom green and upholstered in a Lance Wovens fabric. A scintillating Orville Bulman painting hangs above the mantel. The slipper chairs under it are by Nickey Kehoe and upholstered in a Holly Hunt fabric.
This Historic Palm Beach House Doubled as a Wedding Venue for the Homeowners

Serena & Lily Ives Tray

$198.00, Serena & Lily

The wood-paneled bar was a must for the music-obsessed husband and took cues from the couple's favorite pub in London, Chiltern Firehouse. Graziolo made sure to hide the speakers and DJ booth, while Kemble employed woven blinds and wicker furniture to give the impression of a far away fantasyland where music and magic meld. To add to the ambience, she had the custom mirror above the bar properly antiqued.

The family room works well for casual meals and entertaining, courtesy of a farmhouse table and antique French carved wooden chairs. A Patterson Flynn rug gives the impression of floor tiles. The lantern is from Vaughan Lighting. The wallpaper is custom from De Gournay.
The family room works well for casual meals and entertaining, courtesy of a farmhouse table and antique French carved wooden chairs. A Patterson Flynn rug gives the impression of floor tiles. The lantern is from Vaughan Lighting. The wallpaper is custom from De Gournay.

The house was built in the 1930s by one of Palm Beach’s most sought-after architects, Marion Sims Wyeth. While his contemporary Addison Mizner was building Spanish Colonial–style homes for other early settlers of Palm Beach, Wyeth opted for an architectural style inspired by the surrounding islands and more conducive to a poetic way of life. “There’s this delicacy in terms of the architectural language which is very different from the usual, louder architecture in Palm Beach,” Graziolo says. “This was the work of a mature architect who had done a zillion things before then and wanted to practice his best craft later on in life.”

Arranged on white shelves in the family room, majolica from Chairish and 1stDibs take pride of place.
Arranged on white shelves in the family room, majolica from Chairish and 1stDibs take pride of place.

Iconic interior designer of the early-20th-century jet set Ruby Ross Wood decorated the home for its first owners. A few chandeliers from her tenure were preserved and moved to different rooms. Original historic details, like the frilly ironwork of the main stairs and the front balcony, served as reference points for Graziolo. “How can you add new architecture to this house and remain quiet and elegant?” she asks. “A lot of the work we did inside, starting with the library, was very restrained.” Graziolo borrowed motifs from the entry’s railing, collapsing them into the design for the pilasters in the wood-paneled library and extending Wyeth’s architectural language into the present day.

The library is where Graziolo could really flex her muscles. The devoted classicist borrowed details from the original stair railings in the foyer and repurposed them in the capitals of the columns in the room. A carpet from Rug and Kilim and wallpaper from Morris & Company enliven the floor and ceiling. The moss green of the custom sofa picks up the green of the room’s mantel, while picture lights from Chelsea Textiles illuminate the shelves, and an antique desk anchors one end of the room. The club chairs are upholstered in a Rose Tarlow fabric, and the Roman shades are done in a Fortuny pink.
The library is where Graziolo could really flex her muscles. The devoted classicist borrowed details from the original stair railings in the foyer and repurposed them in the capitals of the columns in the room. A carpet from Rug and Kilim and wallpaper from Morris & Company enliven the floor and ceiling. The moss green of the custom sofa picks up the green of the room’s mantel, while picture lights from Chelsea Textiles illuminate the shelves, and an antique desk anchors one end of the room. The club chairs are upholstered in a Rose Tarlow fabric, and the Roman shades are done in a Fortuny pink.

The latticework in the living room feels fresher than traditional latticework as it curves up to meet the ceiling. Works by Helen Frankenthaler, Walton Ford, Harold Ancart, and Orville Bulman enliven the home’s interior.

A tented dining room at one corner of the house functions as an indoor breakfast room as well as an outdoor space when the doors are open. Leah O’Connell printed fabric covers the ceiling and walls, creating the impression of a pleasure tent in contrast with the more formal, original checkered marble floor. Taylor King chairs upholstered in a Holly Hunt fabric surround the Woodbridge dining table.
A tented dining room at one corner of the house functions as an indoor breakfast room as well as an outdoor space when the doors are open. Leah O’Connell printed fabric covers the ceiling and walls, creating the impression of a pleasure tent in contrast with the more formal, original checkered marble floor. Taylor King chairs upholstered in a Holly Hunt fabric surround the Woodbridge dining table.

This house, though grand in scale and undeniably elegant, is intended as an unpretentious reflection of the owners’ personal histories and values: historic preservation, kindness, and comfort. “The house evolved out of good stewardship, good planning, and respect,” Kemble says. “It's really special.” The project was deeply meaningful as both Kemble and one of the homeowners were raised full-time in Palm Beach at a time when most properties in the area were seasonal. “The whole town is a resort,” says Kemble, whose ancestor incorporated the town in 1911 as did her client’s ancestor. “It is so fun that several generations later we are in the same room and talking about what it means to live there.” Working on this property, rare in its size and historic relevance, was an opportunity for both women to reconnect with something integral to who they are and show what Palm Beach might be in the future.

A whimsical shell assemblage by a local artist decorates the walls of one powder room, keeping the spirit of the first floor lighthearted.
A whimsical shell assemblage by a local artist decorates the walls of one powder room, keeping the spirit of the first floor lighthearted.
The bar was intended as a primary party space, with hidden speakers and a DJ booth. Kemble wanted it to feel like guests were just off the coast of Florida, maybe in Havana, on a breezy night the year this house was built. The antiqued mirror was made in New York.
The bar was intended as a primary party space, with hidden speakers and a DJ booth. Kemble wanted it to feel like guests were just off the coast of Florida, maybe in Havana, on a breezy night the year this house was built. The antiqued mirror was made in New York.
In the egg yolk–hued butler’s pantry Kemble had Miriam Ellner Design paint églomisé flowers on the glass of the cabinet doors. The faucet is by PE Guerin.
In the egg yolk–hued butler’s pantry Kemble had Miriam Ellner Design paint églomisé flowers on the glass of the cabinet doors. The faucet is by PE Guerin.
A 17th century Flemish tapestry, unique in that it boasts designs of Florida-appropriate tropical foliage, decorates the landing on the second floor. The curtains and rug continue the theme of flora and fauna. The bench and chairs are antique, as are the chests flanking them.
A 17th century Flemish tapestry, unique in that it boasts designs of Florida-appropriate tropical foliage, decorates the landing on the second floor. The curtains and rug continue the theme of flora and fauna. The bench and chairs are antique, as are the chests flanking them.
The primary bedroom is the calmest resting place in the house with sky blue walls only shades away from the white ceiling. The inlaid-bone four-poster bed is custom by Kemble Interiors. The nightstands are by Sherrill Furniture and the bedding by Pioneer Linen and Matouk. The Wedgwood-hued New England Collection rug provides a more classical foil for the Brunschwig & Fils curtains.
The primary bedroom is the calmest resting place in the house with sky blue walls only shades away from the white ceiling. The inlaid-bone four-poster bed is custom by Kemble Interiors. The nightstands are by Sherrill Furniture and the bedding by Pioneer Linen and Matouk. The Wedgwood-hued New England Collection rug provides a more classical foil for the Brunschwig & Fils curtains.
Agustin Hurtado painted a tropical mural inspired by the house’s surrounding foliage in the ladies dressing room. An antique daybed hovers under one window, while the same muted stripe that hugs the kidney-shaped vanity also covers the stool in front of it. The rug is from Marc Philips.
Agustin Hurtado painted a tropical mural inspired by the house’s surrounding foliage in the ladies dressing room. An antique daybed hovers under one window, while the same muted stripe that hugs the kidney-shaped vanity also covers the stool in front of it. The rug is from Marc Philips.
A mirror with mother-of-pearl inlay hangs above the washstand in another powder room. Piping in the same stripe as the walls and roman blinds wrap around the window frame, displaying the level of detail with which Graziolo and Kemble work.
A mirror with mother-of-pearl inlay hangs above the washstand in another powder room. Piping in the same stripe as the walls and roman blinds wrap around the window frame, displaying the level of detail with which Graziolo and Kemble work.
One guest bedroom boasts a lively, painted, bamboo bed frame ensconced in white curtains that match the window dressings. The nightstands also incorporate bamboo. Striated pink walls pick up the stripes in the pink and purple rug, which complements the blue of a nearby rattan mirror.
One guest bedroom boasts a lively, painted, bamboo bed frame ensconced in white curtains that match the window dressings. The nightstands also incorporate bamboo. Striated pink walls pick up the stripes in the pink and purple rug, which complements the blue of a nearby rattan mirror.
This Historic Palm Beach House Doubled as a Wedding Venue for the Homeowners

Justin Van Breda Empire Mirror

$.00, Justin Van Breda

The raspberry-hued “pajama lounge” leads to another powder room hung with a matching mirror from RT Facts above a studded chest repurposed as a washstand. The light is from Urban Electric and the grass-cloth wallpaper is from Pierre Frey. The rug in the foreground is from Rug and Kilim.
The raspberry-hued “pajama lounge” leads to another powder room hung with a matching mirror from RT Facts above a studded chest repurposed as a washstand. The light is from Urban Electric and the grass-cloth wallpaper is from Pierre Frey. The rug in the foreground is from Rug and Kilim.
The pool serves as another party area, surrounded by palms native to the region and toys for the couple’s young son.
The pool serves as another party area, surrounded by palms native to the region and toys for the couple’s young son.
The octagonal poolhouse by Wyeth was an architectural treat for Graziolo, who incorporated a served interior wall to play up the structure’s original inspiration: a Charleston folly. A rattan mirror with curving sconces and squiggle-decorated towels play off the intervention.
The octagonal poolhouse by Wyeth was an architectural treat for Graziolo, who incorporated a served interior wall to play up the structure’s original inspiration: a Charleston folly. A rattan mirror with curving sconces and squiggle-decorated towels play off the intervention.
Nathan Browning of Island Planning did the landscaping around the home. From the lawn guests can see a mangrove island and the sunset and sky. Kemble describes it as a properly “Florida” house.
Nathan Browning of Island Planning did the landscaping around the home. From the lawn guests can see a mangrove island and the sunset and sky. Kemble describes it as a properly “Florida” house.
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